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By Cristalle Elaine Bowen, Chicago Crusader “I know some of y’all go to church in here…but THIS ain’t church! Kelly has a Christmas album), he reminded Chicago of his local roots while blazing through hits from his entire catalogue. Next on the bill was June’s Diary, a group who did a stint on reality television as one of the finalists on “Chasing Destiny,” a female-centered program starring Kelly Rowland.

While on tour promoting his “12 Nights of Christmas” album (you read that right: R.

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When describing the video, Kelly said during the show that he wanted to switch it up and make the night well rounded. He has longevity, power and influence with no shortage of loyal fans.

During “Sexasaurus,” Kelly belted out Tarzan yells in front of a CGI jungle. Kelly show in Chicago is anything, it’s a hilariously good time. His discography spans decades and includes music he’s appeared on for other artists, soundtracks and DVDs. He promised the Chicago Theatre a “real” show, and that’s exactly what he delivered. Kelly isn’t going anywhere, and his music will be enjoyed by millions of people, forever.

He also reminded us of how many hooks he’s contributed to other rapper’s songs, while giving the excited crowd snippets of features like Jay-Z’s megahit “Fiesta (Remix)” and Jeezy’s “Go Getta.” The crowd was light on millennials but heavy on Gen X-ers and Baby Boomers. Costuming was a deliberate part of the vibe of the show, which was most definitely a “Holiday Jam.” Beyond the festive accoutrements onstage, a huge projection screen played Christmas-themed visuals. There were all smiles and screams in the house, with choruses being yelled out constantly by the crowd.

At one point, a video played a humorous, albeit slightly confusing, comedy skit where Kelly points a gun at the audience and tells jokes. Every time a new track was performed, you could hear people screaming “ooooh, that’s my JAM! “Ignition (Remix),” “Down Low” and the goofy mega- hit “Feelin on Yo Booty” were especially well received. Kelly isn’t necessarily a hometown hero, but he’s certainly one of the biggest stars Chicago has ever produced.FOR NEW JERSEY RESIDENTS: Notwithstanding any term herein, these Terms do not limit your rights or our obligations under any applicable statute or law, including types and amounts of recovery; nor do they excuse us from any duty to avoid causing harm by means of gross negligence, recklessness, or intentional misconduct; nor do they disclaim our duty of care to our invitees; nor do they require you to defend and indemnify us in the event that any loss is caused by our negligence.Please see our Privacy Policy, located at https://freakydeakyhalloween.com/privacy-policy (“Privacy Policy”), for information and disclosures relating to the collection and use of your Personal Information, as defined therein, and any other data in connection with your use of the Services.If you wish to make a purchase, you must click on the designated link at the top of the page, fill in any required information and follow the instructions.When you purchase a ticket to the Freaky Deaky Music Festival (the “Festival”), you will be issued a digital, print-at-home ticket to the Festival. Kelly’s Holiday Home Jam was nothing short of great entertainment.Opener Mark JP Hood, a finalist on “The Voice,” showed true professionalism. In matching holiday-themed outfits and singing from ladders high above the crowd, the five lovely ladies gave the crowd synergy.He transformed the Chicago Theatre into his Christmas-decorated living room.The stage was decked out with a huge fireplace, sofas, a massive Christmas tree, a bar (complete with bartender), stockings, and gifts. But despite Kelly’s past and polarizing stature, the man remains a ridiculous talent. There were hardly any breaks, as hit after hit after hit was sung to perfection. How he had that much performance stamina while drunk is beyond me; he’s truly a phenomenal performer.Some lucky friends and fans even got to hang out on stage. Tracks from his new album “12 Nights of Christmas” also sounded especially good.All while changing fur coats multiple times, Kelly powered through older classics like “12 Play,” Your Body’s Calling” and “Bump and Grind (Remix). There was no shortage of 40-somethings OR furs in the building for the first of two nights at Chicago Theatre, so Kelly’s constant costume changes only helped to mirror his local fans. “Coming Home For Christmas,” an ode to always being away from “your boo” during the holidays, sounded right on time. Kelly can pretty much do what he wants, and his mastery of music and command of live audiences show.

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