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Most Japanese Zen temples, moreover, have a dragon painted on the ceiling of their assembly halls. Dragon, Ceiling Painting at Tenryū-ji Temple 天龍寺, Kyoto. The four, known as the Four Celestial Emblems, appear during China's Warring States period (476 BC - 221 BC), and were frequently painted on the walls of early Chinese and Korean tombs to ward off evil spirits.
The Dragon is the Guardian of the East, and is identified with the season spring, the color green/blue, the element wood (sometimes also water), the virtue propriety, the Yang male energy; supports and maintains the country (controls rain, symbol of the Emperor's power).
The Dragon has the head of a camel, horns or a deer, eyes of a hare, scales of a carp, paws of a tiger, and claws resembling those of an eagle.
Although fearsome and powerful, dragons are equally considered just, benevolent, and the bringers of wealth and good fortune.
The dragon is also considered a who can assume human form and mate with people.
The mortal enemy of the dragon is the , as well as the bird-man creature known as Karura.
In contrast to Western mythology, Asian dragons are rarely depicted as malevolent.
The Dragon is the male counterpart to the female Phoenix, and together they symbolize both conflict and wedded bliss -- the emperor (dragon) and the empress (phoenix).
For many more details, see the Phoenix page and Four Guardians of the Compass page.
Improvisation, or at least its quality of spontaneity and unlimited choice, is incorporated.
The ensemble pieces develop massive walls of sonority and crushing climaxes while solo passages push instrumental boundaries and the limits of the players capabilities in terms of range and technique.
Bronze and jade pieces from the Shang and Zhou dynasties (16th - 9th centuries BC) depict dragon-like creatures.
By at least the 2nd century BC, images of the dragon are found painted frequently on tomb walls to dispel evil.