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Due to financial difficulties, this venture did not last past the 1988 season. The photographs are mostly headshots used in promotional publications or playbills but also include some photographs taken during rehearsals and performances.

In 1990, there was another turnover in administrative positions, with Robert Weiss and Richard Tanner resigning from the positions of artistic director and artistic associate, respectively and Christopher d’Amboise was ultimately hired as artistic director. Also included in the subseries are clippings and some press releases, as well as biographical information sheets filled out by the dancers with information such as their notable career history and personal hobbies.

To alleviate the company’s debt, a volunteer group composed of dancers, musicians, theater staff, and others started the “Save The Ballet” campaign. The subseries is arranged alphabetically by last name. 4 28 Choreographers: Rodham, Robert, 1972 September 6.

Shortly after, Weisberger and Harkarvy both resigned. Researchers are thus advised to review the folder titles of both subseries. 6 1 Contact cards: South Dakota to Virgin Islands, undated.

The Board of Directors replaced Weisberger and Harkarvy with Peter Martins as executive director and Robert Weiss as artistic director. Collectively, the subseries house materials relating to the performances, staff, dancers, tours, promotions, fundraising (especially funding from the National Endowment for the Humanities), and other activities of the Pennsylvania Ballet. 6 2 Contact cards: Summer festivals and Arts Councils, undated.

Most of the collection is comprised of visual and graphic materials: photographs and negatives, slides, posters and program art. The materials include itineraries and budgets for trips, correspondence between event planners, planning and production notes, as well as some contracts with host institutions. Materials include clippings, correspondence, sales and ticketing information and promotional materials for multiple productions each season.

Of particular interest to researchers may be the photographs of productions and ballets (both photographs of performances and publicity photographs), lighting and choreography cue sheets for ballets the company performed, videos of performances, ongoing documentation of yearly performances, and information about the company’s collaboration with the Milwaukee Ballet. While the materials in this subseries do not provide comprehensive documentation of all the tours, researchers may find these materials useful for preliminary or peripheral research. The subseries is arranged in chronological order and dates from 1975 to 1993. Miscellaneous,” contains records dating from 1969 to 1999 that document various other activities related to the Pennsylvania Ballet Company.

The company had further financial difficulties and in March of 1991 the board of directors decided to suspend operations for the second time in the company’s history. It is not certain who created the file system, however, the nature of the material in this subseries suggests that the records were maintained by the Pennsylvania Ballet Company’s public relations department.

Rather than suspend performance, the dancers decided to work without pay to finish the season. As such, the records would be useful in understanding aspects of marketing for the Ballet, particularly concerning the dancers.

Also included is a promotional storybook for the 1996 production of the "Nutcracker." The materials date from 1968 to 2003 and are arranged chronologically. Binders, 1963-1998” subseries consists of eighty-two binders created by the Pennsylvania Ballet.

The subseries overlaps with or is directly related to the visual materials found in the following subseries, “3.2. The bulk of the binders contain newspaper clippings arranged chronologically.

George Balanchine served as artistic advisor and the Ford Foundation provided the funds to help the struggling company establish itself. 6 11 Correspondence: Mostly from Barbara Weisberger, 1975-1978.

The first performance was given on April 16, 1964 at the University of Pennsylvania’s Irvine Auditorium, initiating over four decades of ballet in Philadelphia. In 1972 Benjamin Harkarvy became the artistic director. Series 5: Website versions in Archive-It, 2014 The records were donated to Temple University in two distinct groups, at two different periods of time. Early organization records, represents the first of those accessions. 6 12 The Cunningham Dance Foundation, Incorporated, 1974-1975. 6 14 d'Amboise, Jacques: National Dance Institute, 1977, undated.

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